Friday, May 24, 2013

Of Sea Serpents and Sannyasis


          I enjoy myths a great deal, mostly because I like good stories, but also because myths are one of most effective means for understanding a foreign world of life, belief, and culture.  People tell myths to teach their children what their people believe about God and about life, and to remind themselves of those things, in a way that is compelling and memorable.  Thus, if you can understand a group’s myths, you can see the world through the eyes of that group.  Once, in college, I spent the better part of a semester trying to learn Hindu theology through a textbook, only to find that I was able to do far more in less time by simply learning the most popular Hindu myths, and the meanings of the symbols they contained.  So, to tell you about Cambodia, I thought I’d share a legend, but mostly, I just want to tell you a story about a monk, a princess, and some sea serpents.

     Once upon a time, there was a Brahman—an Indian holy man—named Kambu.  In addition to being a priest, Kambu was a hermit, living a life of religious discipline in the high mountains.  One day, the gods told Kambu, to go to the far south, below the empire of the Chinese, down into the lands of the barbarian tribes, and there find a beautiful princess to take for his wife.  Now, there are few commands more welcome to a lonely old hermit than the order to go find a beautiful woman, so Kambu hurried off on his journey. He travelled through the wild jungles of the steaming south, coming to a large plain crisscrossed by a multitude of rivers and dotted with the occasional large lake or stand of jungle.  There, Kambu found native tribes he expected, but he also found something he was not prepared to see: the nagi.  The nagi are a race of water snakes, but they are more like magical sea serpents than they are like the snakes one might run across in an ordinary swamp.  They come in various shapes and sizes, with many of them having several heads or extra tails, or horns or crests, and hundreds of sharp teeth.  But, despite their various forms, all nagi share a mystical nature, a fearsome demeanor, and are extremely dangerous when provoked.


         Looking among the tribesmen who lived in the land of the nagi, Kambu found no princess.  In his confusion, he sat down to meditate, and to watch the strange nagi.  It was then that Kambu saw his beautiful princess.  You see, when I said that nagi may come in all shapes and sizes, I meant it.  Like many of the mystical creatures of the East, the nagi need not even look like water snakes to still be nagi.  Apparently, they may stray so far from their native forms as to appear mostly human, although they are still nagi at heart.  I would explain this to you, because of course I understand perfectly how a creature can be both a river-dwelling reptile and a divinely beautiful human woman of noble lineage, but that would ruin a good chance for you to use your imagination.
     However she came to be, this princess of the nagi was a beautiful woman named Mera.  Being a mystical and royal woman, Mera should have known better than to throw in with an unwashed, road-weary stranger who had not a penny to his name.  Yet if there's one thing that a guru knows how to do well, it's snake-charming, and for all her human aspect and magical nature, Mera was still a serpent.  So, Kambu caused her to fall in love with him through magic of his own.  Having fallen in love with one another, she with his Hindu arts and he with her mystical beauty, the two became married, and had many children.  They shared their personal riches of knowledge, and thus was born a tradition steeped in the magic and lore of the nagi and the philosophies and devotions of the Brahman.  Their children became lords of the land, whose children in turn became the kings of the vast Angkor empire that ruled over Southeast Asia for many years, building temples to the religion of their father and protecting them with the figures and spirit of their mother.
     Whether or not this legend is true, there is much in it that is true about Cambodia.  First of all, the nagi represent many of the indigenous values and realities of the country.  Although they themselves are part of Hinduism and Buddhism, they have a special and ancient place in Cambodia. Like the dragons of classical Europe, the nagi feature prominently in all the oldest stories of Cambodia, forming a national symbol that evokes a primordial, essential Cambodia.  Nagi statues adorn many temples as symbolic guardians, like the gargoyles that cover the cathedrals of France.  The water-dwelling nature of the nagi evoke the Cambodian relationship to the country’s rivers and lakes: in the way that many cultures worshipped the sun or sky as the source of life and the place of the gods, ancient and classical Cambodians reverenced the waters, whence came the rice and fish that have always fed the people. Any wealth Cambodia has ever known likewise came from the rivers, through selling crops grown on the rivers and doing commerce along the waterways, so it is not surprising that, also like European dragons, nagi guard vast treasure troves. The dangerousness of the nagi, too, is representative of the Cambodian understanding of water, embodying the way in which the river may flood and destroy whole villages in minutes.


The union of Kambu and Mera also symbolizes one of the most fundamental truths of Cambodian culture.  This union is reminiscent of the name of the Cambodian people, who are called the Khmer, a name that combines Kambu and Mera.  Furthermore, Kambu’s name itself echoes the native name of the country, with is Kambuja or Kampuchea. The culture of Kambu’s land developed largely out of the way in which first the ancient Cambodian tribes, then the various empires of Cambodia, interpreted the philosophy and religion of the Indian traders who came to their country in its infancy.  Those traders brought with them the art, tools, spices, religion, and philosophies of India and established them through permanent towns that became cultural centers.  However, the Cambodians refused to adopt Indian culture wholesale, instead infusing their new-found civilization with many of their own traditions and practices.  Thus, what it means to be Cambodian is summed up in the marriage of the Indian Brahman to the naga princess.  And, as for that priest and his princess, they, of course, lived happily ever after.

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